THEATRE
CANADIAN JEWISH PLAYWRITING COMPETITION
Originally a program run by an independent group of dedicated volunteers, The Toronto Jewish Theatre Committee, the Canadian Jewish Playwriting Competition was founded in 1989 and operated out of the Bathurst JCC in North Toronto.
In 1999, the MNjcc adopted this program and ran it with a group of jurors from the professional theatre community. Before 2006 there was an average of six plays submitted each year. With more publicity and exposure, up to 20 plays are submitted from six Canadian provinces, the United States and Israel each contest year. The competition is now a bi-annual program.
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Generously supported by The Asper Foundation. Thank you to our partners: The Winnipeg Jewish Theatre, The Harold Green Jewish Theatre Company, and The Segal Centre for the Performing Arts.
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31 plays were submitted to the 2023 competition from British Columbia, Alberta, Saskatchewan, Ontario, Quebec, and two playwrights from New York who have dual citizenship.  
 
The 2023 winning play is The Child You Deserve by Saskatchewan playwright, Julia Peterson.
- Dramaturgy by Daniella Mooney with the support of the Saskatchewan Playwrights Centre.
Looking for our own Al Green Theatre, located in the Miles Nadal JCC? Click here.
Setting the Scene: The Roots of Toronto Theatre
Guest speaker: theatre critic Lynn Slotkin
Mondays: Nov 18, 25; Dec 2, 9
1:00-2:30 pm
Uncover the vibrant and diverse roots of the Toronto theatre scene! Learn about touring productions to established venues like The Royal Alexandra, Elgin/Wintergarden and O'Keefe Centre, the 1960s explosion of groundbreaking companies Toronto Free Theatre, Theatre Passe Muraille, Tarragon and Factory, and independents who gave voices to specific communities like Nightwood and Obsidian Theatres, Buddies in Bad Times, and Native Earth Performing Arts. What were some seminal Canadian plays? How are these companies today?
Join us in-person, on Zoom simulcast, or register to receive the recordings!
November 25 - What was already here (The Royal Alexandra, The O'Keefe Centre, The Elgin/Wintergarden Theatres)
December 2 - An explosion of Toronto theatre companies (Theatre Passe Muraille, Tarragon, Factory Theatre, etc.)
December 9 - Independent Theatre companies with specific focus: Buddies in Bad Times Theatre (LGBTQ+ issues), Nightwood Theatre (Feminist issues), Obsidian Theatre (Black stories), Native Earth Performing Arts (Indigenous stories).
December 16 - Plays that reflected our world: Creeps, Fortune and Men's Eyes, The Farm Show. And how are these companies today?
Lynn Slotkin has been a theatre critic for CBC Radio’s Here and Now, CIUT Friday Morning, and she conducted seminars in theatre criticism for Theatre Ontario. Her reviews and articles have been published in The Globe and Mail, The Toronto Star, Performance Magazine, American Theatre Magazine, Eye Weekly, How Theatre Educates, Orbit, Mystery Scene Magazine, The Canadian Jewish News, the London Free Press and The Hollywood Reporter. She has done theatre commentary for Studio Two on TV Ontario and CBC TV-Newsworld. She has been profiled in The National Post, The Globe and Mail, and on Bravo TV for the Arts and Minds Program. She also publishes the e-newsletter The Slotkin Letter which chronicles her theatre going in Toronto and internationally, and which is used as a resource for actors, directors, artistic directors and theatre aficionados. Lynn sees approximately 300 plays annually in Canada, the U.S and internationally. At our JCC, Lynn has given the virtual lecture series Influential Jewish Playwrights: What Comes First, Being a Playwright or a Jew? and The Group Theatre: They Revolutionized Art and Changed the World. We are delighted to welcome Lynn to our building this fall! For more information, please visit www.slotkinletter.com
2023 Winner: The Child You Deserve by Julia Peterson – Saskatoon
It is 1957, and three generations of Jewish women are gathered around a Montreal apartment's kitchen table. Jenny has big dreams for her daughter and a second chance at love with her partner, Rivka. When Jenny's mother crashes into their lives the women have to confront their dreams, fears and responsibilities for their communities, the future and each other. The play serves as a standalone sequel to A Man in the House by Elinore Siminovitch and was written by her granddaughter.
julia peterson 2023
2019 Winner: Elijah by Hannah Rittner - Toronto.
In Elijah, Leora travels from Toronto to Halifax to celebrate the days of awe (the week between Rosh Hashanah and Yom Kippur) with her expecting queer-sister Shira and her non-binary Israeli partner Ariel. A play about the transformative power of forgiveness and how it impacts our ability to move beyond the trauma of the past.
hannah rittner 2019
2015 Winner: The Great Divide by Alix Sobler – Winnipeg.
On Saturday March 25, 1911 at 4:45 pm, someone started screaming “Fire!” on the 8th floor of the Triangle Shirtwaist Factory on the lower east side of Manhattan. Within10 minutes 146 workers, most of them young women, most of them recent immigrants from some of the most oppressed countries in the world at the time, lay dead either on the floor of the sweatshop or on the street eight stories below. The Great Divide tells the story of just a few of these doomed workers, the lives they led, and the lessons they learned during their time in the American garment district. Photo of Alix by Matthew Dunivan Photography
alix sobler 2015
2012 Winner: Shiksa by Cairn Moore – Winnipeg
Shiksa tells the story of Emma McTavish, a portrait painter who falls for family lawyer Zack Stein. Zack is a secular Jew and Emma is a non-practising Catholic. When Zack’s overprotective parents discover their only son has secretly married a "shiksa", the honeymoon is on hiatus. Zack’s father declares his son dead, while Zack’s mother goes on a crusade of her own. As Zack moves farther away from his family, Emma finds solace in the most unlikely of places.
cairn moore 2012
2010 Winner: Corpus by Darrah Teitel – Montreal
Megan White is a PHd candidate at The University of Toronto in the Department of Peace and Conflict. She studies genocide and her thesis examines the psychology of the perpetrators of modern genocide. Megan meets Heinrich in a chat room. Heinrich is a squeegee kid living in east Berlin with his grandmother Eva, the ex-wife of an ex SS officer. The illumination of Eva’s story launches Megan’s thesis into unexplored and incendiary territory.
darrah teitel 2010
2008 Winner: Strange Land by Alexis Diamond – Montreal
Strange Land is set in Montreal’s Jewish neighbourhood on the Main (Saint Lawrence Blvd.) in 1942, during the Conscription crisis. The play is about how the three women of a struggling Jewish immigrant family attempt to forge a place in the New World after the death of the pater familias, only to be thwarted by conflicting aims and the narratives of identity imported from the Old World. At a time of war, rampant paranoia and virulent prejudice, Dinah risks everything to pull out hatred by its roots and rewrite the story of the New World. Photo of Alexis by Ron Diamond
alexis diamond 2008
2006 Winner: Guess Who’s Coming to Sabbath by Phil Pivnick
Guess Who's Coming to Sabbath offers smart and often witty dialogue about Judaism and religion's common stance again homosexuality and same-sex marriage. In the play, a couple anticipates a surprise announcement from their son, Isaac. Peter is Isaac's surprise; he's also Isaac's fiancé. Isaac's normally open-minded father, Morty, is a proud Jewish man and he's furious with his son's choice. Marjory, his dying mother, is doing her best to find joy in her son's happiness.
phil pivnick 2006
2003 Winner: Yahrzeit (Memorial) by Alex Poch Goldin – Toronto
Meyer has had a stroke and lost the use of one hand so the entire world must suffer with him, including his pro-Palestinian son, his Serbian caregiver, and his absent, lesbian daughter. Entrenched in his opinions, Meyer knows how everything should be regardless of what anyone else thinks. Beset by guilt however, he lights Yahrzeit candles in memory of his late wife and is secretly sending money to Israel to plant a forest for her. Meanwhile, his son’s marriage is collapsing, his caregiver is giving him tsuris, his missing daughter shows up with only a bus ticket and a boy scout is on the loose in his building. Sooner or later, something’s going to crack and when it does, Meyer will find that life has a few surprises left in store.
alex poch goldin 2003
2001 Winner: Sara’s Cave by Don Molnar – Toronto
Sara’s Cave is about a woman who hides a Jewish family in her root cellar during the German occupation of Poland. Anna must also billet two German officers. While one is in a desperate struggle with his conscience, the other baits a trap for her, with a sack of potatoes. A man who escaped the German death squad finds Anna’s root cellar and enters looking for help. All this happens during Passover, a time when hospitality, for Jews, means so much.
don molnar 2001
1999 Winner: Einstein’s Gift by Vern Thiessen – Alberta
Einstein’s Gift follows the life and work of Nobel laureate Dr. Fritz Haber, a man who risked everything for a country that never accepted him. Haber, a chemist who worked hard to enhance life, discovered too late that when his knowledge was put in the hands of the wrong people, millions would die and that his efforts to serve humanity were futile against political will, nationalism, and war.
vern thiessen 1999
2021 Winner: Precipice by Primrose Madayag Knazan - Winnipeg
Precipice follows Sharrah’s conversion story to Judaism, a journey that takes her from her future in-laws’ Seder table to a synagogue in the Philippines. Caught between her Filipino mother’s expectations and her brother’s estrangement from the family, she wonders if she’s ready to walk the path of the Torah.
primrose madayag knazan 2021
2017 Winner: The Covenant by Alice Abracen - Montreal.
The Covenant is set in June 1944, as Red Cross dignitaries are marveling at the lively town of Theresienstadt: a haven for the Jewish people in the heart of Czechoslovakia. Little do they know that this paradise is a ghetto and a concentration camp, elaborately staged in order to conceal Nazi crimes against humanity. Forced to participate in the terrible charade, the ambitious politician Peter and the dedicated doctor Hilde find their idealism, their faith, and their love put to a terrible test. Inspired by a true story. The Covenant’s dramaturges were Sarah Elkashef and Brian Drader.
alice abracen 2017
2013 Winner: The Girl Rabbi of the Golden West by Jennifer Wise – Victoria.
Written for the 150th anniversary of Canada's oldest continuously active synagogue, The Girl Rabbi of the Golden West uses comedy and cross-dressing to solve a real-life historical mystery: how did it happen that in 19th-century Canada, an orthodox congregation hired a woman as their rabbi? Throughout the High Holiday season of 1895, Miss Ray Frank of California made history by officiating from the pulpit of Congregation Emanu-El in Victoria, BC. Written for seven female actors who impersonate, by turns, the women and the men of the synagogue, this site-specific comedy celebrates the surprisingly progressive values that brought a woman to the bema in a gold-rush town, and healed a bitterly divided community while inspiring the man who would go on to become Canada's first Jewish judge.
jennifer wise 2013
2011 Winner: Haunted by Daniel Karasik – Toronto
When Abby’s husband dies she starts attending synagogue. She befriends David, the young rabbi, and now that friendship is turning into something more. Meanwhile, her daughter claims she’s begun to spend time with her father’s ghost. A play about rational people intoxicated by the unseen.
daniel karasik 2011
2007 Winner: The Bleeding Season by Brandon Marlon – Ottawa
During the First Intifada in Israel (1987-1993) Koby Mandola was an ambulance paramedic and his best friend Talia Gidoli was a police officer. Fresh out of the IDF, they dealt together with the violence and casualties that seemed without foreseeable end. Ten years later arrives the Second Intifada (2000-2005), and Talia is now a Mossad agent who, with her partner Levy Tzion, tracks down a key Hamas operative in Canada who shared his childhood with Koby in Khan Yunis before the uprisings so severely polarized Jewish Israelis and Palestinian Arabs. Facing each other under such special circumstances, both sides confront their choices and hold the other to account in a mutual crucible of principle, memory, and faith.
brandon marlon 2007
2005 Winner: Lost Daughter by Tara Goldstein – Toronto
Lost Daughter is an historical drama inspired by William Shakespeare’s The Merchant of Venice. It is set in the Canadian city of Toronto in the summer of 1933, a summer of intense heat and widespread unemployment. A summer when Gentile youth wore swastika badges to keep the city’s Jews out of public parks and away from beaches. Lost Daughter engages with the themes of Canadian xenophobia and anti-Semitism in the summer of 1933, but also portrays the rich tradition of forgiveness in Jewish thought and culture. In the summer of 2008, on the 75th anniversary of the Christie Pits riot, the play had its Canadian premiere as part of the Toronto Fringe Festival.
tara goldstein 2005
2002 Winner: Remember Me by Irene Watts – Vancouver
Marianne Kohn arrives in England on the first Kindertransport allowed to leave Nazi Germany. At Liverpool Street Station she waits for a sponsor. Finally, a woman whose expected young domestic, has not arrived is persuaded to take in the eleven year old refugee. Her refugee status is belittled by her hosts. Only the resident maid and a friend she makes at school, give her some measure of stability. At the outbreak of World War 2, Marianne is evacuated to Wales, and a series of unsuitable billets. Marianne never gives up hope of a reunion with her mother who on the day of the great evacuation, arrives in England on a domestic permit.
irene watts 2002
2000 Winner: Gordin in America by Beth Kaplan – Ontario
Jacob Gordin, a writer, educator, and socialist reformer, is forced to emigrate from Russia to New York in 1891, at the age of 38. He quickly becomes the leading playwright in the heated world of the Yiddish theatre on the Lower East Side and subsequently around the world. Gordin’s wife and many children, who follow later, have a difficult time adjusting to the new world. With his bull-headed zeal, he makes dangerous enemies, one of whom, Abraham Cahan of the Jewish Daily Forward, embarks on a poisonously destructive vendetta. Gordin dies at the age of fifty-six, bitter that his life’s work has been undone. But there is hope a descendent will tell his tale. Jacob Gordin’s eighth child, Nadia or Nettie, was my grandmother. This is the true story, told in brief scenes, of the extraordinary life of playwright and rabble-rouser Jakov Mikhailovich Gordin, known in his time as the Jewish Shakespeare.